| Running a Community Collection Online |
RunCoCo: how to run a community collection online |
Find out about “the Oxford Community Collection Model” used for successful crowdsourcing since 2007. The RunCoCo service at the University of Oxford University shows how you can run a community collection online and engage with your community. |
Patrick Penzo, Alun Edwards, Ylva Berglund Prytz, Stuart Lee, Stephen Bull |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
What is a Roadshow? |
Find out about roadshows - face-to-face engagement – part of “the Oxford Community Collection Model” used for successful crowdsourcing, e.g. Europeana 1914-1918. RunCoCo shows how you can run a community collection online and engage with your community. |
Patrick Penzo, Alun Edwards, Ylva Bergland Prytz |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Arthur Wragg: Pacifist Polemics in Black and White |
Arthur Wragg |
Damon Taylor |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
“Not for Glory, not for Gain!” The Czech Glass Spartakiad Figurine, 1955 |
This paper looks at the glass figurines of Czech artist Miloslav Klinger, made to commemorate the 1955 Prague Spartakiad, as complex sites of memory, craft and political propaganda. |
Rebecca Bell |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Translational Medicine |
Crohn's disease |
Innate immune system |
Alison Simmons |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Crossing Boundaries |
Health systems research |
Governance in practice |
Sassy Molyneux |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Translational Medicine |
Stem cells and cancer |
Adult gastrointestinal stem cells |
Simon Leedham |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Crossing Boundaries |
Better hospitals for children |
Oxford Health Systems Research Collaboration (OHSCAR) |
Mike English |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Translational Medicine |
Cancer and innate immunity |
Inflammatory signalling |
Mads Gryd-Hansen |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Translational Medicine |
Tuberculous Meningitis |
Tuberculous Meningitis |
Guy Thwaites |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Translational Medicine |
Pneumococcal diseases |
Genetics and genomics of Streptococcus pneumoniae |
Angela Brueggemann |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Practical Ethics Bites |
Choosing the sex of your child |
Is sex-selection harmful or injust? Julian Savulescu outlines four methods used in sex-selection and explores the ethical issues surrounding each. |
Julian Savulescu, Nigel Warburton, David Edmonds |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
Understanding Fracking for Shale Gas |
Joe Cartwright provides a geological perspective into the exploration of shale gas reserves. |
Joe Cartwright |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
The 2020 Vision for Engineering Science in Oxford |
Professor Lionel Tarassenko, an alumnus of the Department and its new Head as of September 2014, sets out his vision for the Department for the next five years. |
Lionel Tarassenko |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
Jenkin Lecture The Oxford RobotCar |
Paul Newman talks about the UK’s first self-driving car – being developed at the Department of Engineering Science. He’ll explain the project’s motivation, its underlying technology, and its impact on the transport sector and beyond. |
Paul Newman |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Anthropology |
Models, muddles and metaphors |
This seminar, on the theme of Models in Anthropology, draws on examples from the fields of Amazonian and obesity studies. 9 May 2014 |
Elizabeth Ewart, Stanley Ulijaszek |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Anthropology |
Social anthropology of the arts: expression, genre and agency |
This seminar, on the theme of Art and Creativity, explores the anthropology of artistic and imaginative processes, a field that is interdisciplinary by nature. 23 May 2014. |
Caroline Potter, Ramon Sarró, Zuzanna Olszewska, Clare Harris |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Anthropology |
Intersections: an ethnography of everyday togetherness and intensified diversity in Elephant and Castle |
This Anthropology seminar, on the theme of Diasporas and Migration, presents emerging findings from a collaborative ethnography in a 'super-diverse' South London area. 30 May 2014 |
Mette Berg, Ben Gidley, Hiranthi Jayaweera, Ramon Sarró |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Anthropology |
Choreographing lived experience: the stories that dancing bodies tell |
This Anthropology seminar looks at the role of dance and movement of the body as a theme in itself; using dance to understand embodied experience. 21 February 2014 |
Rosie Kay, Karin Eli |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
70 Years On: My, how you’ve changed! |
Lord Patten of Barnes, Chancellor of Oxford University draws upon his experience at the highest levels in the public sector to share his unique perspective on Britain over the last seven decades. |
Chris Patten |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
Wildlife in the Anthropocene: Environmentalism without nature |
This lecture by Jamie Lorimer explores new ways of thinking and doing environmentalism that need not make recourse to nature. |
Jamie Lorimer |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
Black Land, Red Land: The Nile Valley and Egypt’s Western Desert |
Illustrated with photographs from previous trips, this talk by Professor Mark Smith contrasts the Nile Valley and the desert and explore how the relationship between them developed over the course of Egyptian history. |
Mark Smith |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Alumni Weekend |
The Biogeography of Madagascar: A Gondwanan island |
This lecture given by Dr Matt Friedman will look at the evolution of the unique flora and fauna of Madagascar and how it is intertwined with the geological history of the island. |
Matt Friedman |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
“Design, Domesticity and Revolution: Transitioning the Cuban Ideal Home” |
Through an examination of domestic advice and advertisements found in Cuban popular magazines, this paper explores the relationship between politics and popular media during the period 1950 to 1970. |
Sara Desvernine-Reed |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
‘Public memory and everyday memorials: work of the Imperial War Graves Commission’ |
The paper highlights tensions that appeared in the near routine collection of trophies for memorials and the design of war cemeteries between British imperial offices and those of former colonies, particularly Australia’s War Records Section. |
William Taylor |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
The Politics of Memory: Designing the Ganatantra Smarak (Republic Memorial), Kathmandu, Nepal |
Examination of the design competition of Nepal's republic memorial. |
Bryony Whitmarsh |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Images of Women in a Changing Colonial Taiwanese Society during the Period of World War I |
Propaganda: graphic design and print culture |
Chu-Yu Sun |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
War on Wheels |
First World War vehicles as instruments of order and chaos. |
Gregory Votolato |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Funky Bunkers: The Post-Military Landscape as a Readymade Space and a Cultural Playgound |
On adapted reuse of military establishments. |
Per Strömberg |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
‘Help to win the war’: an analysis of the typographic posters produced by the New Zealand Government 1914-1918 |
This paper analyses typographic posters produced by the New Zealand Government in WWI to recruit men and money to the war effort. They chart the progress of recruitment strategies from voluntarism through to the contested years leading to conscription. |
Patricia Thomas |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Authenticity and commemoration: an analysis of Otto Weidt Worshop for the Blind and the Jewish Museum in Berlin |
This paper will analyse both spaces according to their scale, location in the city, authenticity, phenomenology and prosthetic memory, in order to determine whether design can enhance and protect our collective memory. |
Ana Souto |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Collective Memory and Conflict Representation: War and Peace in Colombian Museums |
This paper studies some Colombian museums that are reflecting upon war. |
Andrés Pardo Rodriguez |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
'Ambassador of Good Will': Three Centuries of American Art in 1930s Europe |
The 1938 exhibition, Three Centuries of American Art, on display in Europe and the United States. |
Caroline Riley |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
South African poster propaganda during the Second World War |
The paper examines poster propaganda produced in South Africa during the Second World War. |
Deirdre Pretorius |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Draw me an AK-47: Transnational imaginaries in the trenches of the cold war |
This paper examines the image of the Kalashnikov in the cold war period through two intersecting lenses that cut across disciplines of design –– the object in its public mediation and the image in its transnational circulation through print culture. |
Zeina Maasri |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Syonan Shimbun: Singapore's Wartime Newspaper |
The presentation looks at the design and production of this propaganda paper as part of the wider history of the Singaporean Straits Times, the newspaper it briefly replaced. |
Jessie O'Neill |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Designed to Kill : The Difficult Study of Military Design |
Design is perceived by most as a positive concept meant to improve people lives. But it is first a means to answer efficiently a specific purpose. How can we morally accept that the act of killing led to the development of an important design industry? |
Marie-Anne Michaux |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Camouflage for peace: disruptive pattern material and dazzle painting in contemporary design and art |
The aim of this paper is to analyse the consequences of this change, in other words, the examination of the ways, the strategies, the semiotics and the social uses of the objects which conform the so-called camouflage for peace. |
Maite Méndez-Baiges |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Book and musket | graphic design of Italian school reports and diplomas during the Fascism |
In the interwar period, the Italian school reports and diplomas turned into a direct expression of the most advanced artistic research. Fascism revolutionized institutional graphic design to achieve a modern effective communication. |
Caterina Franchini |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Material objects and visual web presentation: the Virtual Peace Palace Museum |
Material objects and visual web presentation: the Virtual Peace Palace Museum. |
Marjan Groot |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Modernising the V&A: From War to Reconstruction 1918-51 |
In the aftermath of two world wars, the V&A struggled to reconstruct a national view of contemporary art and design in which Britain’s industrial past and contemporary developments could be reconciled. |
Laura Elliot |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
"Good Housing depends on You”: Wartime Housing, 1942 |
MoMA’s 1942 Wartime Housing exhibition demonstrated that housing contributed to the war effort. Through innovative display, the museum proposed that new materials, modern techniques, and community planning would create lively permanent communities. |
Erin McKellar |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Conflicting Views: Print Propaganda Depicting Tourism in a Landscape of War |
An analysis of Ruth Taylor White’s “cartograph” for the 1945 guidebook A G.I. View of American Red Cross China, India and Burma, published by the American Red Cross. |
Dori Griffin |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Quiet, Humane and ‘Anonymous’: Pevsner’s art-historical response to wartime |
This paper focuses on Pevsner’s wartime writings. |
Ariyuki Kondo |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Prints of Peace: Elihu Burritt and the graphics of reform |
This talk examines the propaganda campaign conducted by mid-nineteenth century American reformer Elihu Burritt and a group of engravers and artists who used the graphic potential of postal items, such as envelopes, to pressure politicians for peace. |
Peter Gilderdale |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
The secret dollhouse: craft and resistance in Stalinist Estonia |
My presentation will focus on the subject of nonprofessional craft as a tool of resistance against the official power. I will be concentrating on one particular case study from Soviet Estonia, dating from the 1940s. |
Triin Jerlei |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Dressed to Dissent: 'Catch-22' Clothing |
This paper examines dress as a form of anti-war Vietnam protest using the cross dressing character of Corporal Maxwell Klinger on the long-running American sitcom MASH as its focus. |
Marilyn Cohen |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Practical Ethics Bites |
Free will, and its connection to moral responsibility |
Professor Neil Levy explores the link between free will and responsibility. What makes us blameworthy for our actions? |
Neil Levy, Nigel Warburton, David Edmonds |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Design during the War: the seventh Triennale in Milan and the Mostra della produzione in serie (Serial production exhibition, 1940) |
The Serial production exhibition, by Giuseppe Pagano, opens a new attitude in Italian design. The most advanced industrial products are shown to the public: typewriters, calculators, metal furnitures, microscopes, optical instruments, raincoats and so on. |
Alberto Bassi |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
ENIAC versus Colossus and the early presentation of electronic computers |
A description of the concurrent yet different development of electronic computers during WWII in the UK and US– most notably the secrecy of the UK development compared to the widely known work in the US and the consequent effects on the computing industry |
Paul Atkinson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
‘Propaganda in Three Dimensions’: British Ministry of Information Exhibitions During World War Two |
Exhibitions designed by the British Ministry of Information exhibitions branch during World War Two as official propaganda: their methods and impact. |
Harriet Atkinson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Centre for the Study of the Book |
Hand-press printing |
A demonstration of and discussion about hand-press printing with the Bodleian's Dr Paul Nash. |
Paul Nash, Adam Smyth |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Edmund Blunden |
Margi Blunden, daughter of Edmund Blunden, talks about her father and his work. |
Margi Blunden |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Impact of the 1914 – 1918 Poets |
Adrian Barlow looks at the impact of World War One poets in the years immediately following the War, in late 20s and early 30s, and as we embark on the 100 year anniversary of the conflict. |
Adrian Barlow |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Poetry of the Empire |
World War One was a conflict of empire, not of nation. In this lecture Dr Simon Featherstone looks at four distinctive poets who provide a version of empire that is much more nuanced than the imperial rhetoric of the established canon. |
Simon Featherstone |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Siegfried Sassoon |
Meg Crane looks at the war poems of Siegfried Sassoon, framed by the first and last (non-war) poems of his literary career. |
Meg Crane |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Wilfred Owen |
Professor Jon Stallworthy, editor and biographer of Wilfred Owen, introduces one of the most notable poets of World War One. |
Jon Stallworthy |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
'Earth Voices Whispering’: Reading Ireland’s Poetry of WWI: An Introduction |
Professor Gerald Dawe relates the Irish poetry of World War One to the history of Ireland itself and explores why the first anthology of Irish WW1 Poetry was only published in 2008. |
Gerald Dawe |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
David Jones |
Often overlooked, Dr Stuart Lee introduces David Jones and his seminal work 'In Parenthesis'. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Practical Ethics Bites |
What is virtue ethics? |
In this episode, Professor Roger Crisp introduces the strand of ethical theory known as 'virtue ethics'. |
Roger Crisp, Nigel Warburton, David Edmonds |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Isaac Rosenberg: ‘Fierce Imaginings’ – the Private and the Poet |
Author and editor, Jean Liddiard, presents the life and work of Isaac Rosenberg. |
Jean Liddiard |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Ivor Gurney: A Poet born out of War |
Dr Philip Lancaster presents the life of literary musician Ivor Guney, and introduces some the key themes in his poetry. |
Philip Lancaster |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Manuscripts |
In this short talk Dr Stuart Lee introduces some of the primary sources of World War One poetry: manuscripts. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Poetry vs. History |
What place do the poets and their work have in the historical analysis of the War? Dr Stuart Lee takes a look at the debate. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Languages of Criticism - The Practice of Commentary |
Dr Robert Chard (Oriental Studies) on Commentary and the Confucian Ritual Canon, and Prof Stephen Harrison (Classics) on Commentary and Reception in Classics. |
Robert Chard, Stephen Harrison |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am” |
Dr. Marco Bernini (Durham): ‘Parallel Convergence: Cognitive Science Facing Beckett’s “The Unnamable”’, and Dr. Simon Kemp (Oxford): ‘Tell Me Who I Am’: Beckett’s “The Unnamable”. |
Marco Bernini, Simon Kemp |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Languages of Criticism - Creatively Critical |
Dr Clare Connors (UEA) and Prof Wen-Chin Ouyang (SOAS) will explore the place of creativity in recent Western and classical Arabic literary criticism. Respondent: Dr Helen Slaney. |
Clare Connors, Wen-Chin Ouyang, Helen Slaney. |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
OCCT event - The Point of Comparison |
The Point of Comparison |
Mohamed-Salah Omri, Elleke Boehmer, Ben Morgan, Nicola Gardini, Nick Halmi. |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Languages of Criticism - Translation and Comparison part one |
Translation and Comparison. Convener: Dr. Xiaofan Amy Li |
Clive Scott |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ |
Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Troscianko (MML) and Dr James Carney (Social and Evolutionary Science Research Group) followed by refreshments |
David Herman, Emily Troscianko, James Carney |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements” |
Prof Derek Matravers (The Open University) on Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”. |
Derek Matravers |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Philosophy of Criticism - Creativity, Culture and Tradition |
Prof. Berys Gaut (St Andrews) on Creativity |
Berys Gaut |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
OCCT event - The Creativity of Criticism part one |
Short presentation by Andrew Klevan, followed by discussion. |
Andrew Klevan |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics |
Salim Bachi is author of Le Chien d’Ulysse (2001), Le Silence de Mahomet (2010), Moi, Khaled Khelkal (2012), and other books. He will read from his work (with a translation provided), and discuss the seminar theme. Other speakers are: Patrick Crowley (Uni |
Salim Bachi, Patrick Crowley, Mohamed-Salah Omri, Jane Hiddleston |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Philosophy of Criticism - Creativity as a Virtue of Character |
Prof. Matthew Kieran (Leeds) |
Matthew Kieran |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Intercultural Literary Practices - Theorising Interculturality |
Dr. Birgit Kaiser (Utrecht), Prof. Peter McDonald (English), and Prof. Elleke Boehmer (English) |
Birgit Kaiser, Peter McDonald, Elleke Boehmer |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Translators and Writers - Translation and Fictionality |
Peter Ghosh and Jonathan Katz on Translation and Fictionality |
Peter Ghosh, Jonathan Katz, Patrick McGuinness |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Translators and Writers - Poetry and the Act of Translation |
Prof Patrick McGuinness (MML) on pseudo translations and Dr Adriana X Jacobs (Oriental Studies) on rogue translations. Respondent: Kasia Szymanska. |
Patrick McGuinness, Adriana X Jacobs, Kasia Szymanska |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
‘On your lips my life is hung’: Robert Graves and War |
Dr Charles Mundye takes a look at how Robert Graves' experiences and feelings about War that influenced his poetic career. |
Charles Mundye |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Women Poets |
Dr Jane Potter looks at a range of women poets who wrote during, and in the years that followed, World War One. |
Jane Potter |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| History of Art: Special Lectures and Research Seminars |
Special Lecture: Art, Architects, Books and Buildings: Sir Robert Taylor & his Collection at the Taylor Institution |
A collaborative venture between the University of Oxford's Edgar Wind Society and the Taylor Institution Library, this lecture discusses Sir Robert Taylor and his collection of architectural books & included a display of selected items from the collection |
Matthew Walker, Gervase Rosser |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Edward Thomas: Edwardian War Poet |
Dr Guy Cuthbertson takes an in-depth look at the poet Edward Thomas. |
Guy Cuthbertson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Georgians and Others |
Dr Stuart Lee gives a short introduction to the poetry movements that led up to the War. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Popular Poetry |
Dr Stuart Lee discusses the popular poetry of the War years and the formation of the canon in the years that followed. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Nuffield Department of Clinical Neurosciences |
A role for the pulvinar following early life lesions of V1 |
NDCN Seminar on preservation of visual capacity despite injury to V1 |
James A. Bourne |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
The Early Poets |
Dr Alisa Miller looks at the popular poets in the early years of the War and the way that the press and publishing worlds created a commercial culture in support of the conflict. |
Alisa Miller |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
War Poetry |
Dr Mark Rawlinson explores the relationship between War and War Poetry using Owen's famous 'Preface' as the starting point. |
Mark Rawlinson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Nuffield Department of Clinical Neurosciences |
Traumatic Brain Disease in the Military: Past, Present and Future |
A review of the fascinating 100 year history of traumatic brain injury in the military and, in particular, its long-term consequences. |
Daniel Perl |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
19. Magnetic Properties of Atoms |
Lecture 19 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
18. Semiconductor Devices and Introduction to Magnetism |
Lecture 18 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
21. Mean Field Theory and Closing Thoughts |
Last in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
17. Dynamics of Electrons in Bands |
Lecture 17 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
20. Collective Magnetism |
Lecture 20 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
16. Band Structure and Optical Properties of Solids |
Lecture 16 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
15. Nearly Free Electron Model |
Lecture 15 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
14. Waves in Reciprocal Space |
Lecture 14 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
13. Scattering Experiments III |
Lecture 13 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
12. Scattering Experiments II |
Lecture 12 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
11. Reciprocal Space and Scattering |
Lecture 11 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
10. Geometry of Solids II: Real Space And Reciprocal Space |
Lecture 10 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
